“Cowboy Country” & “Housebirth”
Poetry by T.S. Bronson & “The Begley Brothers” & “Bodhran” – Needlepoint by Ciara O’Connor
Cowboy Country
It is the howling wind
And High Noon Neon.
Tumbleweeds
And barren roads.
Pistol fire once echoed
Through these sparse ravines
That carve the face
Of this backwater town
Like the marks of blade
In clay.
It is your beating heart,
Like horse hooves galloping down
The dried out riverbeds of our
Dead grandad’s blood;
Beating fast and wild
For grandmama’s home baked biscuits
And a long, hot, Juniper day.
It is where we both learned to shoot,
Casting lead into the valley
Where Sagebrush burned one summer
And nearly took the family farm.
When we were kids we would pretend
To smoke toothpicks like cigarettes.
“I don’t know where we got the idea”
You say. I light up and shrug.
“I guess it’s just
Cowboy Country.”
***
Housebirth
There is a weighted knocking
Every morning
On the days the sun quit shining
-even now-
Four walls rising
To the tune of hammers crying
In the hands of
The cheapest labor
This city could find
Tearandscrap every oak beam
Strip their ground of its history
Cover up all the remnants
With plywood and pavement
And replace the windows
With replications
And art deco blinds.
Driving by
(Almost daily)
In the past
(Like a daydream)
Sits a vision of curtains paisley
And youth erased
And condos built
And no remaining evidence
Of a doorframe
Where her height
Was marked and measured
As the years went speeding by.
Now there comes that
Weighted knocking,
New front door,
New lock and key.
All memories
Buried down
And covered over
By the steady hand of time.
Now, at night, all is silent.
They’ve raised the roof,
And paved the driveway.
Tomorrow, even more will grow
On the grave
Of what was left behind.
***
T.S. Bronson has been born a couple different times in a couple different places. His formative years were spent in Portland, Oregon. He now lives in Tennessee, where, as a writer and a musician, he toils in obscurity.
Ciara O’Connor is an Irish visual artist. She works in a combination of free motion embroidery, hand stitching and raw-edged appliqué. Born in Glasgow to parents from County Kerry, O’Connor spent her formative years in Dublin. She studied Fine Art in GMIT, specializing in Painting and Printmaking. After college she opted to travel before settling in Brooklyn, New York, in 2009. Here she dabbled in photography, millinery and silversmithing. This nomadic life contributed to her fascination with the themes of identity and belonging and through her work she seeks to investigate, celebrate, and strengthen these connections. She also consciously aligns her practise with feminist themes, and seeks to create art that generates positive social shift. Her work is currently on show in Following Threads at Crawford Art Gallery, Cork, OXO Winter Open, Outset Gallery, Galway, and RUA Annual Exhibition in The Ulster Museum, Belfast.