#FlashTag: Last Ride

#FlashTag: Last Ride

Monologging.org invites you to help create collaborative flash fiction. The following picture-inspired story, featuring Photography by Monologging artist, Brian De Pinto, needs to be completed by Saturday, May 2nd. Every day, different authors around the world will be selected to contribute the next line. Find out how to submit your twist to the evolving plot by visiting the #FlashTag Submission Guidelines… Submit Free!

Post Photo by Brian De Pinto

Post Photo by Brian De Pinto

 

 

 

Last Ride

 Head out the window, feeling the breeze… I’m waiting and waiting. This is our last drive.

My life has been one of simple pleasures; walks in the park, visits to the beach, the sun on my back. I am loved.

“Sit,” Ted says. I do as I’m told. Ted rolls up the window. He’s steering with his knees & eating a sandwich.

There is a succinct POP. The car rockets to the right. We slow. We exit. The tire is sagging into the grass.
Ted stares at the tire and sighs. “What do you think, Bud?” I flop into a patch of sunlight.
Ted expertly replaces the flat tire. Instead of traveling, we have a makeshift picnic on the side of the road.

***

 

 

 

 

 

 

 

Think you’ve got the next line to the story? Submit your #FlashTag response via Submittable!

Need a little help getting started? Click here to read: #FlashTag Examples

***

Post Photo by Brian De Pinto

 

 

 

 

A Little-Known Paradise

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Photo by Jamie Hoang

A Little-Known Paradise

-Travel Reporting by Jamie Hoang

Spin the globe or open a travel magazine, and you’ll discover hundreds of enticing beach destinations, but Jose Ignacio, Uruguay, is unlikely to be on the list. This little town is well known by the social elite as a luxurious getaway destination but kept off the radar of more common travel sites like Trip Advisor or Expedia—and for good reason. Jose Ignacio is not a tourist destination.

At first glance, the small town looks limited. But this intimate paradise, located two hours north of Montevideo, is the hottest new vacation spot for modern-day jet setters and celebrities looking to hide away.

Huge villas sit atop grassy hills overlooking the sea. Each one designed to satisfy the ravenous appetite of a modern interior designer. Neatly arranged plush white cushions adorn every porch and balcony, facing the ocean. Houses are far enough apart so that owners can host large social gatherings without disturbing their neighbors.

Access the beach by foot in less than 15 minutes from virtually anywhere in the city. Private and serene, even the waves seem to lap in tune with the remote environment. The natural sand is coarse and grainy with bits of seashells scattered about, but surprisingly easy to walk on with bare feet. Uniquely situated on a small peninsula, the beach is on three sides of the town, and the sounds of the ocean are a soothing soundtrack to your explorations.

On the eastern coast of Jose Ignacio is a small and unassuming  lighthouse. This unlikely edifice has inspired hundreds of stories dating back to its construction in 1877. For 20 Uruguayan pesos, the climb to the top is steep, but the view is the best in the town. The interior stairs curve in a dizzying spiral. The steps are so small they seem designed for children. Near the top, a small circular window looks out at the coastline with a prominent view of the blue and white striped Uruguayan flag in the foreground.

A classic ghost tale reminds visitors why lighthouses were built in the first place—to prevent shipwrecks. Looking down at the deceptively submerged, jagged, yet brazen rocks, one has to wonder how many ships had to sink among the rocks before man learned from his mistakes and erected the lighthouse. Visitors, beware the powerful bursts of wind at the top—a product of standing at such heights, or could it be the ghosts of seamen lost.

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Photo by Jamie Hoang

In town, El Mercadito is one of two markets. The grocery store is a hole in the wall when compared to mega supermarkets in the United States, but it is home to the famous flattened, fried chicken sandwich. The cutlets are hammered out into a thin layer, which is then battered, deep-fried, and placed within a baguette with lettuce, tomatoes, and dressings. The oddly shaped sandwich, with its oversized chicken cutlet, while not esthetically pleasing is world famous and unexpectedly tender.

For a light afternoon snack and tea, “Lucy” is the perfect place to unwind. Here the dishes are made with local produce, and they carry a large variety of loose-leaf teas. The atmosphere is relaxed and borderline slow, but this is the cultural norm. Come alone or with friends, sit, read a book, take your time, spend an hour or two. There is no rush.

For dinner, again there are a few varying options with specialties ranging from seafood to steakhouses. But the best meals in town are the ones hosted and catered to the homes of the social elite. Where money is no object, chefs consult with the hosts and create modern dishes using local ingredients—the result being a once in a lifetime Uruguayan spin on international cuisines.

Unable to score an invitation to a private party? La Huella, the premiere beachfront steakhouse, leaves little to be desired. The exterior shack-like appearance, with its rustic and peeling white paint, looks more akin to an abandoned boathouse than an elite dining establishment, but walking through the doors has the effect of a magician’s trick. High ceilings and glossy wooden décor encase a lively bar serving top shelf liquor. Perfectly seared filet mignons, sushi appetizers, and a decadent wine list all add to the charmed ambiance. So commonplace is Channel, Ferragamo, Christian Louboutin, and diamond jewelry adorning guests dressed to the nines that it almost loses its cachet.

Void of tourist attractions, the town, appears somnolent, but that’s part of the allure. Jose Ignacio is an informal environment with small boutique shops, mom-and-pop establishments, and hand-painted street signs. People are friendly and within minutes of meeting the locals the town feels like home. Shop owners don’t try to upsell items, and if you ask for help, they genuinely try to answer your question. Guests looking for the Miami Beach party scene are directed west to Punta del Este where raging strobe-light-infused parties go all night. This town is a quiet getaway and both locals and jet-setting clientele would like to keep it that way.

***

Post Photos by Jamie Hoang

#FlashTag: Sunburst

#FlashTag: Sunburst

Monologging.org invites you to help create collaborative flash fiction. The following picture-inspired story, featuring photography by Monologging artist, Ronaldo Aguiar, needs to be completed by Saturday, April 25th. Every day, different authors around the world will be selected to contribute the next line. Find out how to submit your twist to the evolving plot by visiting the #FlashTag Submission Guidelines… Submit Free!

"My Mind in Silence," Photo By Ronaldo Aguiar

“My Mind in Silence,” Photo By Ronaldo Aguiar

 

 

 

 

Sunburst

 

#FlashTag @monologging @ The heavy sun split prism colors, warming the backs of insects.

#FlashTag@ The flowers gently swayed in the light breeze and I got lost in the cloud formations and the sound of buzzing bees.

#FlashTag@ Lights camera action! Cue the music, cue my sneeze: “Allergy season got you down? Try new Poligentax for instant relief!”

#FlashTag@ Gary got stung in a field that looked like heaven. Bees buzzed closely as he sneezed them into frenzy. “Take two!”

#FlashTag@ “Cut!” The director shouted. “No, no… Stop sniffling & annunciate. Your line is: “For fast relief try Poligentax!”

#FlashTag@ModernAlice123 Days like this made him want to quit his gig at the juice bar and move back to Ohio to start “a real job.”

***

 

 

 

Think you’ve got the next line to the story? Submit your #FlashTag response via Submittable!

Need a little help getting started? Click here to read: #FlashTag Examples

***

Post Photo by Ronaldo Aguiar

The Black Meat

Post Photo, "The Catacombs" by Brian Depinto

Post Photo, “The Catacombs” by Brian De Pinto

The Black Meat

-Story By Eric Dean

The first time I tried Black Meat was also the last, though not for lack of interest. As a journalist, I’d written many articles about the product—the one you’re reading being, obviously, the most recent. It was gray the day I received my hostess’ unexpected invitation, by private courier. Brown grass gathered dew from a motionless blanket of clouds. It was unusually warm for early January, and I’d left the house wearing only a wool shirt. A driver picked me up at my home at 3:00 pm. He stoically checked my driver’s license, matched it to a picture he’d been given, then silently opened the rearmost door of the black limousine and motioned me inside. The letter the hostess had sent was hand written on finely woven hemp paper and sealed with unstamped wax. It requested that I leave behind all electronic devices, including my phone and that I bring only a pen and paper for taking notes. The letter further asked that I give the document itself to the driver, who arrived precisely when the letter said he would, and that I politely not photograph or transcribe the exact text therein. I complied with all requests. We drove in silence save for the classical music playing at a very low volume—I think it might have been Debussy. I was blindfolded and given a flute of champagne.

***

The black meat had been described by a certain surly, sarcastic TV chef as “like chewing through decomposing wood… wood that tasted like an odorous French cheese with a vinegar edge…notes of molasses and bourbon. Not pleasant necessarily, but not entirely bad. Dare I say…fascinating?”

The production of the meat was steeped in as much mystery as its ingredients. Saffron-robed monks with ash-caked skin hid away in log-built smokehouses and hummed surreal melodies over crackling mesquite fires. They’d emerge, faces striped with gray ash cut by rivers of sweat, humble and bowing to their replacements in a nearly silent and well-rehearsed ceremony before retiring to nearby tent or yurt barracks. They’d have crates and packages shipped under the protection of the same special laws that protected the production and consumption of Black Meat. “Government sanctioned cannibalism,” had been thrown around in the early days, to no avail. No journalist or cultural historian had ever traced the exact source of the Black Meat practice, nor the harbinger of its trendy resurgence, but it was commonly theorized that it began with someone in the 1% who’d discovered it during travel abroad; no doubt, exposing it to the elite of the elite. The quiet, old money was first, and the young new money followed in never ending emulation of extravagance.

It became fashionable contraband, like cocaine and Cuban cigars. Rock stars made references to the infinite complexities of the flavor in the lyrics of ballads. Tabloids were plastered with stories in which certain leading men of Hollywood were rumored to have tasted Black Meat. Moral debates raged across the aisles in Congress as new bills were proposed to ban consumption, and calls were made for the UN to publically denounce the trade. Amid the fervor, a bill was quietly presented with bipartisan support—aged senators with red and blue ties and American flag lapel pins spoke of “religious ceremonial freedom” and “traditional memorial practices”. The bill mentioned nothing of Black Meat, nor its consumption, but ensured:

…that one’s remains could be dealt with as one saw fit, in keeping with one’s religious traditions and practices, despite any pre-existing laws, so long as the wishes of the deceased were clearly laid out in the proper legal documents and no unwilling parties were involved or directly affected.

The bill passed with a comfortable margin, and a subsequent Supreme Court case found that consumption of Black Meat could be protected under the new law, given that close controls would be put in place to ensure legal documentation of a party’s wishes to be processed prior to their passing, providing validation by a licensed coroner that the person’s death was natural or accidental. Any hint of foul play or unusual circumstances would be in violation of the “non-incitamentum” (no incentive) clause. A further appeal from the moral minority ended in a compromise—an amendment to the law which required that any portion of Black Meat sold be procured from a single party, and that the departed’s (previous) identity be clearly labeled on any packaging.

It wasn’t long before various churches of The Black Meat sprang up on the internet. Sign up from the comfort of your own home, attend an occasional web-service on YouTube, and print out your own certificate of membership. The churches’ dogmas were tongue-in-cheek lists of variations on a theme—a theme of mostly libertarian, sometimes borderline hedonist, personal freedom and privacy:

Thou shalt drink whatever thou wishes to drink, in whatever amount thou wishes to drink it, so long as thou does not drive inebriated or in any way harm another person outside of thyself.

Membership in many of these churches also required proof that the applicant had drafted what became known as the “Black Meat clause” into their legal will. Many lawyers provided this service at a discount until the option showed up on the automated will-builder of a popular legal document website. Unsurprisingly, this clause evolved into a very specific form in which a party could not only dictate their wishes to be processed into Black Meat, but also dictate a specific party or parties that could then receive the product—assuming either party could afford the exorbitant cost of processing. Crazed fans left themselves to rock stars. Lovers left themselves to one another in a final and ultimate act of intimacy. Controversy arose when a frightening number of terminally ill patients began leaving themselves to wealthy patrons “as a thank you” for said patrons charitably relieving their families of their medical expenses. These charitable acts soon included college scholarships and luxury items as the poor had begun bidding for the opportunity to ceremonially thank the rich, and the rich, as it were, had begun to literally eat the poor.

The ash-masked, saffron clad monks faced competition from a commercially mass-produced product out of China. It was generally agreed upon by the culinary elite that this was a vastly inferior product, often leaving less wealthy consumers with strange parasites, and in a few documented cases, a fatal variant of Creutzfeldt–Jakob disease.

Many dubious internet articles claimed to know the secret traditional recipe of Black Meat, and though each varied slightly, most seemed to rely on the same general protocols. The body was skinned, and the skin cleaned and put aside to dry. The meat was separated and packed in rare spices and various dried berries while the rest of the body was cremated and pulverized. This pulverized ash was mixed with salt and packed into earthen jars. The meat was buried in this salt and ash mixture, and the jars were capped and set aside to allow the meat to cure. After some time, the meat (including the ash, spices, and berries) was removed and coarsely stone-ground into a dry, charcoal-gray hamburger. Other spices and oils were added, and the meat was packed tightly into the now plasticine skin, tied with natural fiber twine, and left to smoke above the other crematory fires.

***

We’d ridden for about an hour, I suspect, and taken many turns. The roads had become rough, and I’d reached up to touch my blindfold only once when the driver, who I imagine must’ve been watching me in the mirror, politely reminded me that our trip would be immediately cut short if it were removed even for a moment. When the limousine finally came to a stop, my door was opened, and I was told I could now remove the blindfold. We’d parked in the middle of a large pasture surrounded by evergreen forests. The air smelled like rain and wet straw. I stepped out onto wet, well-manicured grass, though as dead as my own humble lawn. We walked through what appeared to be an outdoor shooting range. I kicked aside the occasional broken bits of orange clay and a single yellow shotgun shell. The driver checked over his shoulder to make sure I was still following. An icy breeze swept across the large yard from somewhere over the surrounding woods and made me regret not wearing a jacket. He led me toward a high wooden fence, or wall, more accurately—built not with planks but 8-foot wooden posts driven into the ground side by side, like the defensive walls of an early colonial settlement. Smoke billowed from the other side of the wall. A large wooden gate slowly opened, and beyond it stood my hostess, whose exact description she requested be kept undisclosed. She was, suffice it to say, a beautiful and well-known old-money socialite. We exchanged formal greetings and she motioned me inside. She was dressed pragmatically, in English riding apparel, with high boots and a large golf umbrella – a duplicate of which she offered to me. With our matching umbrellas, we crossed the large inner courtyard, leaving the driver at the gate, standing in his suit and tie, stone-faced against the rain and cold.

My hostess reiterated the conditions she’d laid out in her letter, all of which I, again, agreed to. I assured her that I had complied, to the letter, with each. She led me toward a log-built smokehouse. She explained that she’d tired of navigating the legal channels that bottle-necked the product in the face of high demand, and that her own standards of freshness and quality were far above what had become the standard. She admitted that this, her private operation, was both very illegal and very expensive, but that she complied with all moral and ethical criteria laid out by law.

“I have an application process,” she explained, “and interested parties must meet certain physical and genetic guidelines. I also demand a level of freshness that simply isn’t possible under the federal protocols. For this,” she smiled, “they are compensated far beyond the norm.” From the smokehouse emerged an ashen-faced monk clad in saffron robes, exactly as I’d imagined. He bowed, and we returned his bow. He presented to my hostess a parcel wrapped in oily brown paper and tied with string. My hostess guided me to a nearby table set up under a crudely built gazebo. The driver had prepared two more flutes of champagne, and offered me a cigar. “For after,” he said quietly. I politely declined. The hostess placed the parcel between us and unwrapped what appeared to be a human hand, twisted into a Buddhist mudra. The hand seemed to be translucent and over-stuffed, like a partially inflated latex glove. Before I’d come to terms with the situation, my hostess had casually cut into the meaty, outside edge of the hand, opposite the thumb, and carved out a small wedge of densely packed, black meat, flecked with exotically colored spices and small, dried berries. I took the oily wedge in my hand and turned it, noticing tiny hair-like spices protruding from the coarse mixture. I smelled it—indeed, an odorous cheese. Then, after a quick sip of particularly good champagne, I took a bite, chewing slowly and allowing the oils and flavors to flood my mouth and my mind.

A vinegar edge. Truffles. Perhaps notes of molasses and bourbon. Spices I could not identify. Beyond this, an infinite and overwhelming complexity of incomparable flavors I can only describe as…sentimental. Bittersweet. The familiar voice of a long lost lover somewhere in a crowd. A quiet, comfortable shame. An ecstasy of solitude on the tongue, and after, the familiar sorrow of loneliness at the back of the mouth. I felt the lump in my throat even before I’d swallowed. A knot that rose—and I began to softly weep. When the bit was gone, and I again opened my eyes, the grays and browns around me had become somehow more vibrant. The gemlike eyes of my hostess, also wet with tears, were now the eyes of a friend—the eyes of someone who knew, and who knew that I now knew. I felt a kinship to this woman. We shared a secret…the secret. We who had stepped through the veil.

I don’t remember the drive home, nor the rest of the evening I spent in darkness, sucking on my tongue and swallowing my saliva. It’s been two days now, and I remember only the impossible flavors of Black Meat, and the feelings I can’t adequately describe. I no longer know what’s right or what’s wrong… I don’t even know if it matters. I only know that I’ve seen beyond the veil. I know the orgasmic bliss of surrender to Black Meat, and that I’ll continue to seek the experience. Until then, I will taste it on my tongue until the day I die, and I know, now, what I would like done with my body.

***

Post Photo by Brian De Pinto

#FlashTag: Sands & Waves

#FlashTag: Sands & Waves

Monologging.org invites you to help create collaborative flash fiction. The following picture-inspired story, featuring artwork by Monologging artist, Michael Hassoun, needs to be completed by Saturday, April 18th. Every day, different authors around the world will be selected to contribute the next line. Find out how to submit your twist to the evolving plot by visiting the #FlashTag Submission Guidelines… Submit Free!

Photography by Michael Hassoun

Photography by Michael Hassoun

 

 

 

Sands & Waves

 

#FlashTag @monologging A cold breeze accompanied the clouds.

#FlashTag@ It gave me shivers and carried the kite higher out toward the sea. I tasted the salty air and smelled the ocean, home.

#FlashTag@ “Run, Jonah,” I said handing my son the string. He started, trampling the grass under his feet & unfurling his laughter

#FlashTag@ The wind orchestrated kite dips & lifts for a sky symphony. Sounds of laughter flowed in like the rise of the tide.

#FlashTag@ Today was a perfect day. Tomorrow he’ll be gone. I can hardly believe he came from me. I know–I need to stay away.

#FlashTag@ A siren sounded. Everyone in motion halted. The wind tore kites from hands. A wall of water appeared on the horizon.

***

 

 

 

 

 

Think you’ve got the next line to the story? Submit your #FlashTag response via Submittable!

Need a little help getting started? Click here to read: #FlashTag Examples

***

All the Lonely Boys in New York

 

Enough whispering: “Life moves faster than reason, and New Yorkers lead the loudest lives of desperation…”

Coming June 25, 2015

Cover Art and Illustrations by Diana Muller

Cover Art and Illustrations by Diana Muller

 

The Novel That Inspired Monologging.org

Order today and receive your copy 1 month early as well as FREE shipping & handling




 

March 6th, 2008: The economy is in free fall. A brainwashed group of ex-marines and political radicals, angered by events in Iraq and Afghanistan, have set out to kill civilians and destroy property. Meanwhile, Myles Fletcher, the young writer responsible for watching over the apartment where the conspirators hatched their plot, awaits the return of his friend, Ari Shultz. Whatever violence transpires, Myles is determined to save Ari’s life, and to apologize for a betrayal that haunts their friendship.

Based on the unsolved terrorist attack that damaged the US Army recruitment station in Times Square, All the Lonely Boys in New York offers a unique glimpse of the perilous months that sent America spiraling into the worst recession since the Great Depression. It is the story of a bankrupt American Dream, a young generation tested by the horrors of war, and the human tragedy of capitalism gone awry.

***

#FlashTag: The Field

#FlashTag: The Field

Monologging.org invites you to help create collaborative flash fiction. The following picture-inspired story, featuring artwork by Monologging artist, Loreal Prystaj, needs to be completed by Saturday, April 11th. Every day, different authors around the world will be selected to contribute the next line. Find out how to submit your twist to the evolving plot by visiting the #FlashTag Submission Guidelines… Submit Free!

Posto Photo by Loreal Prystaj

Posto Photo by Loreal Prystaj

 

 

 

The Field

 

#FlashTag @monologging Josie & I used to play in the field…

#FlashTag @monologging We were kids then; after that I played the field with a football and she played the field with her smile.

#FlashTag@ I remember the day I lost the game and Josie lost her smile. Sometimes I think I hear her crying on the night wind.

#FlashTag@ Tormented by her sobs, I welcome sleep. Only here do I forget the life that she sacrificed & I carried for my mistakes.

#FlashTag@ Beyond the field there is a lake. That’s where I found her.

#FlashTag@ At night sometimes I wake to find myself calling her name; by morning I chalk it all up to the howl of the wind.

***

 

 

 

 

Think you’ve got the next line to the story? Submit your #FlashTag response via Submittable!

Need a little help getting started? Click here to read: #FlashTag Examples

***

#Bite: #DisneyMoment

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Photo by Jeffrey F. Barken

Monologging.org is pleased to present this week’s #Bite Twitter Tales!

The following 140 character tweets were written by monologging enthusiasts across the web in response to last week’s prompt, “#DisneyMoment.”

Follow these authors on social media and join the growing community of collaborating writers and artists by submitting your own #Bite tweet.

 

Visit Monologging.org every Sunday morning to find out the latest prompt and submit free throughout the week via SUBMITTABLE.

THE BITES:

#Bite @diranasaurus Provincial life-Magic-Rising Action-Makeover montage-Love at first sight-First kiss-Crisis point-Marriage-Denouement

#Bite @NairobiCollins Vintage film flickers with black specks. Castle of light glows from screen into young eyes. Big wishes, sweet dreams.

#Bite @JemmaMarieBeggs Once upon a times and happily ever afters paint a childhood of magic, daydreams and laughter.

#Bite @RogerMarket He ran down Main Street. Fluttery dresses wearing little girls descended on him from all sides, giggling. He screamed.

#Bite @ModernAlice123 I watched Winnie the Pooh pull his head off/the mustard felt just sat there/absorbing the dirty water and pink soap

 ***

 

#FlashTag: Ransom

#FlashTag: Ransom

Monologging.org invites you to help create collaborative flash fiction. The following picture-inspired story, featuring photography by Monologging artist, Ronaldo Aguiar, needs to be completed by Saturday, April 14th. Every day, different authors around the world will be selected to contribute the next line. Find out how to submit your twist to the evolving plot by visiting the #FlashTag Submission Guidelines… Submit Free!

"Neorealism" Photo by Ronaldo Aguiar

“Neorealism” Photo by Ronaldo Aguiar

 

 

 

Ransom

 

 

 

#FlashTag @monologging @ Meg was missing. Arthur was searching. The ransom note was published in the paper.

#FlashTag@ Meg died days ago. Her baby lived. When the search is over, he will be welcome: finally.

#FlashTag@ He didn’t enjoy feeling like he ended up on the right side of a Gillian Flynn novel, but he knew it could be worse.

#FlashTag@ Trouble on the tracks. The train screeched, stopped. A shadow loomed. “Arthur Fox?” The officer asked. “This way please.”

#FlashTag@ Arthur looked at the hand on his arm. “This way” would lead only to white walls & sympathetic faces. No release.

#FlashTag@ They passed through cars. The last was empty. “Have a cigarette,” the conductor said, dispensing pauses.

#FlashTag@ “All aboard,” Arthur smoked & mocked his captor, thinking of the baby. “You have us all now & I’ll never know why.”

***

 

 

 

Think you’ve got the next line to the story? Submit your #FlashTag response via Submittable!

Need a little help getting started? Click here to read: #FlashTag Examples

***

Post Photo by Ronaldo Aguiar

Big Screen Streaming: Unfinished Business

Big Screen Streaming: Unfinished Business

-Film Reviewed by Roger Market

Unfinished Business is the latest Hollywood vehicle for middlebrow comedy star Vince Vaughn. In the opening scene, Vaughn’s Dan Trunkman is tired of being underappreciated at work, so he leaves to start his own company, Apex Select. One year later, his only employees are Timothy McWinters—a sex-starved sexagenarian who was forced to retire from Dan’s former company—and a mentally impaired twentysomething virgin with the unfortunate name of Mike Pancake. The goals of both supporting characters are to make some money and have some sex, but Dan, well, he wants to prove that he’s worth something. Dan’s quest, which ties into a subplot revolving around his wife and children, is the movie’s saving grace.

A year after going into business together, Dan, Timothy, and Mike are en route to Portland to close the first big deal for Apex Select. Dan’s vindication is within his grasp. Upon arriving, however, the team discovers that they’ve been sidelined by the competition, Dan’s former boss, Chuck Portnoy. Don’t let the name fool you. Chuck’s a woman. Lacking self-respect, she tries to unnerve Dan with a graphic joke that implies she’s sleeping with the (married) client. Chuck has this deal in the bag, or so she thinks. In the same scene, she makes fun of Dan’s running clothes, which actually belong to his wife and were mistakenly packed by his daughter.

When the presentation in Portland doesn’t go in favor of the Apex Select team, Dan and company decide to go to Berlin to pitch to the higher-ups, once more facing off against Chuck. This is where all hell breaks loose. Apex becomes embroiled in a series of ridiculous situations, including a search for lodging at a time when, due to events taking place that week, there’s not one room available in all of Berlin. Then come the obligatory party scenes. At this point, the sex jokes become increasingly more rampant and overt, often centered on the young, immature Mike. For example, when Apex needs insider advice, the team follows a lead to the bathroom of a German gay bar, where Mike trips and falls face first against a manned glory hole. “The penis touched my face,” he says. This is one of many such instances.

Up to now, there’s not much to say about the acting. For what it is, Unfinished Business has a capable cast led by Vaughn, who ranges from genuinely funny to almost touching. Dave Franco plays Mike, Tom Wilkinson is Timothy, Sienna Miller portrays the indomitable Chuck, and James Marsden brings the client, Jim Spinch, to life. While the actors do justice to the genre, the characters themselves mostly serve as plot devices to fill out a story that would have been better served as a half-hour short revolving around Dan.

Still interested?

There is some good news. The film has a modicum of depth in the form of Dan’s interactions with his wife and his children, one of whom, Dan’s son, is being bullied online. That one of his own is being deemed a loser is clearly a personal affront to Dan. While he tries to handle his business in Portland and Berlin, he makes frequent Facetime calls to his wife and children, trying but usually failing to resolve the family’s issues from afar. When he’s at a loss, he simply freezes and lets them think the technology is broken, giving him more time to think. These calls are the tender moments that one might expect of a comedy. Dan’s Facetime failures ultimately lead him to a revelation: “I’m not going to freeze today,” he says. This line takes Unfinished Business to the climactic moment, when Dan puts his last plan into action, hoping to return home a winner and to be with his family.

Regretfully, the heart of the movie is overshadowed by tiresome sexual humor, prompting an otherwise unnecessary R rating. To its credit, Unfinished Business does touch on the issue of American prudishness vs. German openness, and perhaps this theme justifies the onslaught of tasteless jokes. There comes a point, however, where viewers will say, “Enough is enough.”

Unfinished Business more or less lives up to its comedy genre, but it’s a crude, tough sell overall. In fact, this reviewer can confirm that Baltimore’s Landmark Theater sold exactly one ticket for last Sunday’s mid-day showing, and this review is the result. The unfortunate flop cost $35 million to make and has grossed only about $10 million domestically in almost three weeks. Simply put, Unfinished Business is mindless fun but could have been so much more, and the box office isn’t hiding that fact. Watch it in a few months, when you can do so cheaply and from the comfort of your own living room via streaming or rental. But put the kids to bed first . . . unless you’re okay with hearing them repeat the phrase, “I can see your ball sack.” Thanks, Mike Pancake.

***

Post Photo Courtesy of: en.wikipedia.org